"Por encima, debajo, a lo largo. Vidas en vilo", essay by Dianne Pearce published in Nierika. Revista de estudios de arte, Departamento de arte, Universidad Iberoamericana, Mexico City

"Over, Under and Along the Hyphen", conference paper by Dianne Pearce presented at Art Beyond Itself, November 19, 2016, Department of Visual Arts, Western University, London, Canada

2010, "Creative Dialogues", Julian Jason Haladyn 

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2000, "Objects and Spouses", José Manuel Springer


"Exhibitions around London this week", James Reaney, London Free Press, London, Ontario, September 19, 2016

TransAMERICAS examina las relaciones que se forman entre personas y lugares", La Jornada Hispanic Newspaper, London, Ontario, September 16, 2016

Museum London's TransAMERICAS examines relationships formed between people and places", Keith Tomasek, Stratford Festival Reviews, Stratford, Ontario, August 30, 2016

TransAMERICAS: un signo, una situación, un concepto", CBC Radio Canada International, Ottawa, August 17, 2016

A Chance to Take Part in a Museum London Exhibit", The Londoner, London, Ontario, July 14, 2016

Barton Street Art: 'This is not the lipstick on the pig', Lindsay Fitzgerald, Hamilton Spectator, July 9, 2015

"Artists hope to dress up Barton Street for the Pan Am Games", Samantha Craigs, CBC News, April 12, 2015

La Dualidad de la Imagen, La Mañana, Neuquén, Argentina, June 17, 2012 

Opening Night for Chile’s Art Museum at the Bottom of the World, This is Chile, January 13, 2012

At the Galleries: 401 Richmond, Leah Sandals, September 24, 2010

Exposición ¿homenaje? a José María Covarubias, Réplica 21, Ivette Morfín Lazarillos


Dianne Pearce at the Museum of Modern Art, Chiloé, Chile, on Flickr

Tusovchiks: Indisciplined Meetings, Red Head Gallery, September 2010

Associate Members, Red Head Gallery   

América tropical, Instituto de México à Paris, curated by Itala Schmelz, 2006

Former Students' Work

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Art in the online platform Second Life (SL)

Because I Am Not Here, Selected Second Life-Based Art Case Studies, Doctoral Thesis by Gerardo Toledo, edited by Dianne Pearce